About American Indians

Native American women concerned about fate of their culture, beliefs.
A group of Native American women - some full-blooded, some with mixed blood and others - meet this week in Hartwell.According to Skylar Swindoll, who heads the meeting Friday, Jan. 18, topics of discussion will be current issues related to "our American Indian culture, family, community, traditions and beliefs." ....>>>

Proposed landfill expansion runs afoul of Native American activists/
A proposed expansion of the region's most recognizable trash heap has angered local activists and Native Americans, who say the new mountain of garbage will be piled near, if not on, historic remains.
The Milam landfill in St. Clair County, just north of Interstate 55-70, will be full in roughly six years, and owner Waste Management of Illinois has plans for an adjacent 119-acre pile to the northeast.... >>>

Renzi Hails Senate’s Passage of Native American Language Preservation Act.

WASHINGTON, D.C. - U.S. Rep. Rick Renzi (AZ-01) today hailed the U.S. Senate’s passage of the Esther Martinez Languages Preservation Act, legislation that would support and strengthen Native American language immersion programs, including language nests, language survival schools, and language restoration programs.

“This bill is a tremendous step forward in protecting our Native languages,” said Congressman Renzi. “It is imperative that we preserve our first Americans’ linguistic and cultural heritage, and provide our Native children with the tools they need to become productive members of their communities.” .....>>>>

Northwest Native Indian Totem Pole

Video clip showing a very large Northwest Native Indian totem pole on display at Montreal's McCord Museum.
Memorial poles were often placed in front of houses in honor of deceased chiefs. There were also mortuary poles made in the nineteenth century which housed at the top, the remains of important individuals.

Ghost Dance Movement


CROW DOG, "Sunka Kangi", Brule' Sioux Chief (1832-1918)

Prominent Brule' leader in tribal affairs and in the Ghost Dance Movement, Crow Dog is remembered today for the killing of the famed Brule' chief Spotted Tail in August of 1881. Photograph by John A. Anderson, 1898

An Indian Conception of Courage

Dr. Charles Alexander Eastman, 1911 born Ohiyesa of the Santee Sioux, in 1858

It is well remembered that Crow Dog, who killed the Sioux chief, Spotted Tail, in 1881, calmly surrendered himself and was tried and convicted by the courts in South Dakota. After his conviction, he was permitted remarkable liberty in prison, such as perhaps no white man has ever enjoyed when under sentence of death.

The cause of his act was a solemn commission received from his people, nearly thirty years earlier, at the time that Spotted Tail usurped the chieftainship by the aid of the military, whom he had aided. Crow Dog was under a vow to slay the chief, in case he ever betrayed or disgraced the name of the Brule Sioux. There is no doubt that he had committed crimes both public and private, having been guilty of misuse of office as well as of gross offenses against morality; therefore his death was not a matter of personal vengeance but of just retribution.

A few days before Crow Dog was to be executed, he asked permission to visit his home and say farewell to his wife and twin boys, then nine or ten years old. Strange to say, the request was granted, and the condemned man sent home under escort of the deputy sheriff, who remained at the Indian agency, merely telling his prisoner to report there on the following day. When he did not appear the time set, the sheriff dispatched Indian police after him. They did not find him, and his wife simply said that Crow Dog had desired to ride alone to the prison, and would reach there on the day appointed. All doubt was removed next day by a telegram from Rapid City, two hundred miles distant, saying Crow Dog has just reported here."

The incident drew public attention to the Indian murderer, with the unexpected result that the case was reopened, and Crow Dog acquitted. He still lives, a well-preserved man of about seventy-five years, and is much respected among his own people.

It is said that, in the very early days, lying was a capital offense among us. Believing that the deliberate liar is capable of committing any crime behind the screen of cowardly untruth and double-dealing, the destroyer of mutual confidence was summarily put to death, that the evil might go no further.

Even the worst enemies of the Indian, those who accuse him of treachery, blood-thirstiness, cruelty, and lust, have not denied his courage but in their minds it is a courage is ignorant, brutal, and fantastic. His own conception of bravery makes of it a high moral virtue, for to him it consists not so much in aggressive self-assertion as in absolute self-control. The truly brave man, we contend, yields neither to fear nor anger, desire nor agony; he is at all times master of himself; his courage rises to the heights of chivalry, patriotism, and real heroism.

"Let neither cold, hunger, nor pain, nor the fear of them, neither the bristling teeth of danger nor the very jaws of death itself, prevent you from doing a good deed," said an old chief to a scout who was about to seek the buffalo in midwinter for the relief of a starving people. This was his childlike conception of courage.

http://www.nativepubs.com/nativepubs/Apps/bios/0140DogCrow.asp?pic=none for more information on Crow Dog.

BRITISH SCALP PROCLAMATION: 1756


""Scalping is the act of removing the scalp, usually with the hair, as a portable proof or trophy of prowess in war. The practice has been known in Europe, Asia and Africa. Scalping is also associated with frontier warfare in North America, and was practiced by Native Americans and white colonists and frontiersmen over centuries of violent conflict.""
Between 1753 and 1756, many skirmishes occurred between the Mi'kmaq and British forces, as could be expected, since many of the Mi'kmaq Districts were still at war with them. However, the reaction of Governor Lawrence in 1756, perhaps in retaliation for the assistance given to the Acadians, was typical of English behaviour towards the Mi'kmaq. The "tribal liability" provisions of the treaties, which branded all Indians guilty, may have also been part of his rationalization when, on May 14, 1756, he issued a scalp proclamation. The bounty offered:

"And, we do hereby promise, by and with the advice and consent of His Majesty's
Council, a reward of 30£ for every male Indian Prisoner, above the age of
sixteen years, brought in alive; or for a scalp of such male Indian twenty-five pounds,
and twenty-five pounds for every Indian woman or child brought in alive: Such
rewards to be paid by the Officer commanding at any of His Majesty's Forts in this
Province, immediately on receiving the Prisoners or Scalps above mentioned,
according to the intent and meaning of this Proclamation."

Native American Authors

Native North American authors with bibliographies of their published works, biographical information, and links to online resources including interviews, online texts and tribal websites. Currently the website primarily contains information on contemporary Native American authors, although some historical authors are represented.
http://www.ipl.org/div/natam/

Reviews of Books by Native American Authors - Individual Books
http://www.hanksville.org/storytellers/reviews.html

Native American Women
This book list is made primarily of diaries, poems, and overviews by Native American women. These books reflect my own directions rather than a well rounded or fully developed women's history/ women's studies library. This is clearly not an exhaustive list but merely a jumping off point to get you going on your own research. You will find wonderful books such as these in antique malls, rumage sales, old book stores, museum stores, catalogues, and modern book stores.
http://www.wmol.com/whalive/native.htm

Native American Madonnas



Aymara Madonna and Christ Child.

Lakota Madonna

Fr. Giuliani has produced an astounding number of Madonna representations inspired by Native American culture and art. They come in two series of 14 panels each: one of them is simply called The Madonna Series; the other, The Crow Series, refers more specifically to the Montana based Crow tribe, whose native American name is Absoroke, or "People of the Great Beaked Bird," translated as "Crow." If the Madonna Series highlights a variety of tribal depictions (e.g., Hopi, Sioux, Navajo, Lakota), so The Crow Series offers a whole life of Mary. The following comments concentrate on The Crow Series' icons.

Icons are an expression of the mysteries of the incarnation, the divine becoming human. The key to access the full empowerment of the icon is to surrender to its contemplation, allowing the soul to open up to the revealed Christian mysteries. Fr. Giuliani expanded the traditional rules of iconography to reach out to the Native Americans whose culture Christian arts had left unexplored.

The Crow Series pictures Mary's destiny through her relations to Christ, according to the spiritual significance of the forms, colors and artifacts inherent to the Crow people's religious heritage.

http://campus.udayton.edu/mary/gallery/johngallery.html

Fr. John B. Giuliani was ordained in 1960. He holds an MA in theology from St. John Seminary in Brighton, an MA in classical studies from Fordham and an MA in American Studies from Fairfield University. He resumed his early interest in art at the Benedictine Grange, a small monastic community that he established in 1977 in West Redding, Connecticut. In 1989, he studied icon painting in New York under a master in the Russian Orthodox style before beginning his Giuliani’s works have been exhibited in the Cathedral of St. John the Divine in New York City, the New Britain Museum of American Art in Connecticut, the Marian Institute in Dayton, Ohio, the Yale Institute of Sacred Music in New Haven, Connecticut and the Aldrich Museum in Ridgefield, Connecticut.

Ghost Dance.


Native Wovoka preached peaceful coexistence.


In the 1970s, the 19th century. When American settlers from Europe over Indian lands in the west of America, boy named Wovoka was an employee. He was born around 1860 in western Nevada, his father was the sorcerer. While Wovoka together with the settlers participated in Christian worship, it has refused to renounce Indian roots. On the eve of a new, in 1889 a solar eclipse, and Wovoka prayed that his people zajil continue. He heard God who told him to lead the Indians to honest, to work for the settlers, but retain their faith and religious ceremonies. Wovoka began preaching the doctrine of peaceful coexistence and personal morality. If the Indians are to pray and to a joint dancing, conquerors disappear, the land was being Lisi buffalo herds, and all the people who recently died, back to life. The last hope, and made a religious movement called . Revelation Vovoki quickly spread among Indians throughout western North America. The idea that the Indians are dancing, smeman conquerors from the face of the earth, nervirovala authorities who feared rebellion especially among Indians the Sioux, inflicting defeat troops of General Castora 14 years earlier. The government has asked the chiefs Sioux abandon movement. December 29, 1890 marked the Vunded-ni, South Dakota, the poorly trained American soldiers and razgnevannami Sioux razgorelossi battle. Soldiers opened fire on vigwamam, killing more than 200 men, women and children. Killed 29 soldiers. Following the mass extermination of the Indians Vunded-ni, the last military action against American Indians, Wovoka continued to preach, that all religions many tribes of North American Indians correct. He was the spiritual leader of thousands of Indians in the valley and beyond. When he died in 1932, the earthquake in the holy land was Mount-grant evidence that the soul Vovoki vozneslaci to heaven.

American Indian Dance Theatre.

American Indian Dance Theatre is a professional performing arts company presenting the dances and songs of Native Americans in the United States and the First Nations of Canada. The group was founded in 1987 and includes members from many different tribal backgrounds.

"The Joyce Theater has seen many a dance troupe, but never one like this...this program is a fascinating one - filled with male bravura and female virtuosity - a feast for the eye."

- The New York Times

"American Indian Dance Theatre offers a rare illuminating theater experience; for once the audience's standing ovation was deserved."

- The Los Angeles Times

"The group's primal power has helped make these dancers and musicians a sensation from Tucson to Tokyo."

- The Wall Street Journal


" It was thrilling - the profound integration of dance, music and visual design all blended by the ancient symbolism and an almost touching respect for nature."

- Dance Magazine


" The energy, the joy, the colors of the show make a beautiful, often touching, and always spectacular moment in theatre!

- Le Monde

" A hypnotic spectacle!"

- Chicago Tribune

" The Indian Triumph! Dance of elemental beauty and power that transcend the stage."

- The Washington Post

" The most amazing item in the program is the Hoop Dance. The physical dexterity involved is almost incredible. Impressive as this is, there are greater wonders to follow!"

- London Times

" The energy and exploration of a too-long unknown aspect of dance in America makes this program of utmost importance."

- The Denver Post

" Splendid dances that, transferred from their usual outdoor setting, make splendid theater. There is great virtuosity here."

- Boston Globe

" The company displays the pure physical magic of dance."

- Toronto Globe and Mail

" American Indian Dance Theatre has taken its performance traditions out of ordinary settings and placed them respectfully and dramatically in a theater. The effect is like holding a jewel up to the light. A mystical and exhilarating feast for the soul."

- Cleveland Plain Dealer

" A haunting program by the American Indian Dance Theatre-an evening way above folkloric clichés, one of memorable distinction."

- Philadelphia Inquirer

http://www.americanindiandancetheatre.com/

Institute of American Indian Arts

The Institute of American Indian Arts is a college and museum focused on Native American art. It is situated in Santa Fe, New Mexico. It is congressionally chartered, and was created by an executive order of former American President John F. Kennedy in 1962. It offers two- and four-year undergraduate degrees in museum studies, creative writing, visual communications and studio art. The college offered its first bachelor's degrees in 2001, and in 2006 graduated 43 students.
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The IAIA Museum: Dedicated to showcasing contemporary Native American Fine Art and to training the next generation of Native Museum professional
The IAIA Museum is a vital space for contemporary Native American arts and culture. Its interpretive approach is to design programs based on the Museum’s exhibitions and collections. The viewer can be exposed to the multiple environments in which Indian artists live and create. With this view, the Museum hopes to cut through the conventional discourse of “Contemporary v.s. Traditional” or the “Two Worlds” concepts which tends to sterilize and oversimplify studies in Native American fine art. The IAIA Museum strives to offer the public, instead, a more complex view of contemporary Native art that reflects its diverse cross-cultural influences and explores its complicated historical development through its educational programming.