Sacred native american Rock Bon echo

Sacred native american Rock Bonecho
Visit the Friends of Bon Echo web site.


Long a favourite destination for painters and photographers, this park north of Napanee is renowned for Mazinaw Rock. This 1.5-kilometre sheer rock face rises 100 metres above Mazinaw Lake, one of the deepest lakes in Ontario, and features over 260 native pictographs – the largest visible collection in Canada. Spend a day or plan overnight adventures in this hiking and canoeing paradise of deep, blue lakes, sandy beaches, granite outcrops and lush green forests.

About American Indians

Native American women concerned about fate of their culture, beliefs.
A group of Native American women - some full-blooded, some with mixed blood and others - meet this week in Hartwell.According to Skylar Swindoll, who heads the meeting Friday, Jan. 18, topics of discussion will be current issues related to "our American Indian culture, family, community, traditions and beliefs." ....>>>

Proposed landfill expansion runs afoul of Native American activists/
A proposed expansion of the region's most recognizable trash heap has angered local activists and Native Americans, who say the new mountain of garbage will be piled near, if not on, historic remains.
The Milam landfill in St. Clair County, just north of Interstate 55-70, will be full in roughly six years, and owner Waste Management of Illinois has plans for an adjacent 119-acre pile to the northeast.... >>>

Renzi Hails Senate’s Passage of Native American Language Preservation Act.

WASHINGTON, D.C. - U.S. Rep. Rick Renzi (AZ-01) today hailed the U.S. Senate’s passage of the Esther Martinez Languages Preservation Act, legislation that would support and strengthen Native American language immersion programs, including language nests, language survival schools, and language restoration programs.

“This bill is a tremendous step forward in protecting our Native languages,” said Congressman Renzi. “It is imperative that we preserve our first Americans’ linguistic and cultural heritage, and provide our Native children with the tools they need to become productive members of their communities.” .....>>>>

Northwest Native Indian Totem Pole

Video clip showing a very large Northwest Native Indian totem pole on display at Montreal's McCord Museum.
Memorial poles were often placed in front of houses in honor of deceased chiefs. There were also mortuary poles made in the nineteenth century which housed at the top, the remains of important individuals.

Ghost Dance Movement


CROW DOG, "Sunka Kangi", Brule' Sioux Chief (1832-1918)

Prominent Brule' leader in tribal affairs and in the Ghost Dance Movement, Crow Dog is remembered today for the killing of the famed Brule' chief Spotted Tail in August of 1881. Photograph by John A. Anderson, 1898

An Indian Conception of Courage

Dr. Charles Alexander Eastman, 1911 born Ohiyesa of the Santee Sioux, in 1858

It is well remembered that Crow Dog, who killed the Sioux chief, Spotted Tail, in 1881, calmly surrendered himself and was tried and convicted by the courts in South Dakota. After his conviction, he was permitted remarkable liberty in prison, such as perhaps no white man has ever enjoyed when under sentence of death.

The cause of his act was a solemn commission received from his people, nearly thirty years earlier, at the time that Spotted Tail usurped the chieftainship by the aid of the military, whom he had aided. Crow Dog was under a vow to slay the chief, in case he ever betrayed or disgraced the name of the Brule Sioux. There is no doubt that he had committed crimes both public and private, having been guilty of misuse of office as well as of gross offenses against morality; therefore his death was not a matter of personal vengeance but of just retribution.

A few days before Crow Dog was to be executed, he asked permission to visit his home and say farewell to his wife and twin boys, then nine or ten years old. Strange to say, the request was granted, and the condemned man sent home under escort of the deputy sheriff, who remained at the Indian agency, merely telling his prisoner to report there on the following day. When he did not appear the time set, the sheriff dispatched Indian police after him. They did not find him, and his wife simply said that Crow Dog had desired to ride alone to the prison, and would reach there on the day appointed. All doubt was removed next day by a telegram from Rapid City, two hundred miles distant, saying Crow Dog has just reported here."

The incident drew public attention to the Indian murderer, with the unexpected result that the case was reopened, and Crow Dog acquitted. He still lives, a well-preserved man of about seventy-five years, and is much respected among his own people.

It is said that, in the very early days, lying was a capital offense among us. Believing that the deliberate liar is capable of committing any crime behind the screen of cowardly untruth and double-dealing, the destroyer of mutual confidence was summarily put to death, that the evil might go no further.

Even the worst enemies of the Indian, those who accuse him of treachery, blood-thirstiness, cruelty, and lust, have not denied his courage but in their minds it is a courage is ignorant, brutal, and fantastic. His own conception of bravery makes of it a high moral virtue, for to him it consists not so much in aggressive self-assertion as in absolute self-control. The truly brave man, we contend, yields neither to fear nor anger, desire nor agony; he is at all times master of himself; his courage rises to the heights of chivalry, patriotism, and real heroism.

"Let neither cold, hunger, nor pain, nor the fear of them, neither the bristling teeth of danger nor the very jaws of death itself, prevent you from doing a good deed," said an old chief to a scout who was about to seek the buffalo in midwinter for the relief of a starving people. This was his childlike conception of courage.

http://www.nativepubs.com/nativepubs/Apps/bios/0140DogCrow.asp?pic=none for more information on Crow Dog.

BRITISH SCALP PROCLAMATION: 1756


""Scalping is the act of removing the scalp, usually with the hair, as a portable proof or trophy of prowess in war. The practice has been known in Europe, Asia and Africa. Scalping is also associated with frontier warfare in North America, and was practiced by Native Americans and white colonists and frontiersmen over centuries of violent conflict.""
Between 1753 and 1756, many skirmishes occurred between the Mi'kmaq and British forces, as could be expected, since many of the Mi'kmaq Districts were still at war with them. However, the reaction of Governor Lawrence in 1756, perhaps in retaliation for the assistance given to the Acadians, was typical of English behaviour towards the Mi'kmaq. The "tribal liability" provisions of the treaties, which branded all Indians guilty, may have also been part of his rationalization when, on May 14, 1756, he issued a scalp proclamation. The bounty offered:

"And, we do hereby promise, by and with the advice and consent of His Majesty's
Council, a reward of 30£ for every male Indian Prisoner, above the age of
sixteen years, brought in alive; or for a scalp of such male Indian twenty-five pounds,
and twenty-five pounds for every Indian woman or child brought in alive: Such
rewards to be paid by the Officer commanding at any of His Majesty's Forts in this
Province, immediately on receiving the Prisoners or Scalps above mentioned,
according to the intent and meaning of this Proclamation."

Native American Authors

Native North American authors with bibliographies of their published works, biographical information, and links to online resources including interviews, online texts and tribal websites. Currently the website primarily contains information on contemporary Native American authors, although some historical authors are represented.
http://www.ipl.org/div/natam/

Reviews of Books by Native American Authors - Individual Books
http://www.hanksville.org/storytellers/reviews.html

Native American Women
This book list is made primarily of diaries, poems, and overviews by Native American women. These books reflect my own directions rather than a well rounded or fully developed women's history/ women's studies library. This is clearly not an exhaustive list but merely a jumping off point to get you going on your own research. You will find wonderful books such as these in antique malls, rumage sales, old book stores, museum stores, catalogues, and modern book stores.
http://www.wmol.com/whalive/native.htm

Native American Madonnas



Aymara Madonna and Christ Child.

Lakota Madonna

Fr. Giuliani has produced an astounding number of Madonna representations inspired by Native American culture and art. They come in two series of 14 panels each: one of them is simply called The Madonna Series; the other, The Crow Series, refers more specifically to the Montana based Crow tribe, whose native American name is Absoroke, or "People of the Great Beaked Bird," translated as "Crow." If the Madonna Series highlights a variety of tribal depictions (e.g., Hopi, Sioux, Navajo, Lakota), so The Crow Series offers a whole life of Mary. The following comments concentrate on The Crow Series' icons.

Icons are an expression of the mysteries of the incarnation, the divine becoming human. The key to access the full empowerment of the icon is to surrender to its contemplation, allowing the soul to open up to the revealed Christian mysteries. Fr. Giuliani expanded the traditional rules of iconography to reach out to the Native Americans whose culture Christian arts had left unexplored.

The Crow Series pictures Mary's destiny through her relations to Christ, according to the spiritual significance of the forms, colors and artifacts inherent to the Crow people's religious heritage.

http://campus.udayton.edu/mary/gallery/johngallery.html

Fr. John B. Giuliani was ordained in 1960. He holds an MA in theology from St. John Seminary in Brighton, an MA in classical studies from Fordham and an MA in American Studies from Fairfield University. He resumed his early interest in art at the Benedictine Grange, a small monastic community that he established in 1977 in West Redding, Connecticut. In 1989, he studied icon painting in New York under a master in the Russian Orthodox style before beginning his Giuliani’s works have been exhibited in the Cathedral of St. John the Divine in New York City, the New Britain Museum of American Art in Connecticut, the Marian Institute in Dayton, Ohio, the Yale Institute of Sacred Music in New Haven, Connecticut and the Aldrich Museum in Ridgefield, Connecticut.